Sydney Italian Festival
Novelist Peter Carey draws the reader into a wild and wonderful journey of discovery and re-discovery of Sydney.
On 19 March, 1932, after nine years of planning and building, more than a million Australians crossed the newly opened Sydney Harbour Bridge, the largest arch bridge in the world. This revised edition of Peter Spearitt's biography of the Bridge celebrates the 80th anniversary of the Sydney Harbour Bridge in March 2012. It tells the extraordinary story of the Bridge's design and construction, the drama of its official opening, and the way it has taken a central place in Sydney's celebrations and become a much-loved symbol of the city. The Bridge has inspired great art and drawn visitors from all over the world to marvel and climb it, yet is still so familiar that Sydneysiders refer to it endearingly as the coathanger. The Sydney Harbour Bridge celebrates not only a magnificent structure, but the people who use it.
Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles have survived to the present day? This history addresses these questions and many more, examining singing as a historical and cross-cultural phenomenon. It explores the evolution of singing in a global context - from Neanderthal Man to Auto-tune via the infinite varieties of world music from Orient to Occident, classical music from medieval music to the avant-garde and popular music from vaudeville to rock and beyond. Considering singing as a universal human activity, the book provides an in-depth perspective on singing from many cultures and periods: western and non-western, prehistoric to present. Written in a lively and entertaining style, the history contains a comprehensive reference section for those who wish to explore the topic further and will appeal to an international readership of singers, students and scholars.
First published in 1855 and reissued here in the second edition of that year, this two-volume work celebrates the life of the author, wit and clergyman Sydney Smith (1771-1845). A founder of the second Edinburgh Review, Smith is best remembered for his entertaining observations and witticisms. The work comprises a memoir, written by Smith's daughter Saba Holland (1802-66), and a selection of letters, edited by Sarah Austin (1793-1867). Together, the volumes offer private insights into a man who lived much of his life in the public eye. Sharing her father's sense of humour, Holland peppers her memoir in Volume 1 with many of his best jokes, while also emphasising his character as a compassionate clergyman, loving father and dutiful friend. Volume 2 continues with Smith's letters, selected for the light that they shed on his character.
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